Please use this identifier to cite or link to this item:
https://anrows.intersearch.com.au/anrowsjspui/handle/1/13459 Record ID: 69459d74-cb43-40a3-87d9-d2d97796d03c
Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Keenan, Elizabeth K | en |
| dc.date.accessioned | 2022-06-30T23:06:39Z | - |
| dc.date.available | 2022-06-30T23:06:39Z | - |
| dc.date.issued | 2015 | en |
| dc.identifier.citation | Vol. 19 | en |
| dc.identifier.uri | https://anrows.intersearch.com.au/anrowsjspui/handle/1/13459 | - |
| dc.language | en | en |
| dc.subject | Social attitudes | en |
| dc.subject | Music | en |
| dc.subject | Mass media | en |
| dc.subject | Women | en |
| dc.subject | Media coverage | en |
| dc.title | Asking for it : rape, postfeminism, and alternative music in the 1990s | en |
| dc.type | Journal Article | en |
| dc.identifier.catalogid | 13206 | en |
| dc.identifier.url | https://muse.jhu.edu/article/592122 | en |
| dc.subject.keyword | new_record | en |
| dc.description.notes | A brief excerpt of the content:<br/ >In the spring of 1995, Los Angeles's influential alt-rock station, kroq , added Sublime's song "Date Rape" to its high rotation list. Nestled among more popular acts such as pop-punk Green Day, angry-girl Alanis Morissette, the Smashing Pumpkins, and Nine Inch Nails, Sublime's song was an unusual choice, even in a postgrunge era that was inching ever closer to the mainstream. "Date Rape" plays out over a catchy, major-key, ska-punk rhythm that emphasizes the upbeat and lacks a sense of foreboding. From a detached, third-person point of view, the band's singer, Brad Nowell, recounts the events: A blond-haired, blue-eyed man with a double chin approaches a woman in a bar and, after a few drinks, convinces her to leave with him. When she tries to escape, he rapes her. Nowell sings, quoting the rapist, "If it wasn't for date rape, I'd never get laid." From there, the tale becomes one of retribution: the woman goes to the police, who believe her; the rapist is prosecuted and convicted; finally, he's sentenced to twenty-five years in prison and, in the song's punchline, becomes a victim of rape himself. | en |
| dc.identifier.source | Women and Music: A Journal of Gender and Culture | en |
| dc.date.entered | 2016-05-02 | en |
| Appears in Collections: | Journal Articles | |
Files in This Item:
There are no files associated with this item.
Items in ANROWS library are protected by copyright, with all rights reserved, unless otherwise indicated.