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Record ID: d3b18465-8af3-466a-9484-2f7fe98cd2a0
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Byrne, Katherine | en |
dc.contributor.author | Taddeo, Julie Anne | en |
dc.date.accessioned | 2022-06-30T23:40:29Z | - |
dc.date.available | 2022-06-30T23:40:29Z | - |
dc.date.issued | 2019 | en |
dc.identifier.citation | Volume 14, Issue 3 | en |
dc.identifier.uri | https://anrows.intersearch.com.au/anrowsjspui/handle/1/18603 | - |
dc.description.abstract | This article explores the rape plotlines in Poldark (2015–), Outlander (2014–) and Banished (2015), which mostly take place prior to #MeToo and offer a pre-watershed insight into a time when rape could still be romanticised and eroticised in a way which might not, or at least should not, be possible after October 2017. However, these plots opened up conversations about consent, rape myths and rape fantasy and hence form part of the dialogue and increasingly public awareness about sexual violence which made #MeToo possible in the first place. How fans respond to rape narratives pre- and post-#MeToo is also considered. | en |
dc.language | en | en |
dc.publisher | Sage Publications | en |
dc.relation.ispartof | Critical Studies in Television: The International Journal of Television Studies | en |
dc.title | Calling #TimesUp on the TV period drama rape narrative | en |
dc.type | Report | en |
dc.identifier.doi | https://doi.org/10.1177/1749602019856535 | en |
dc.identifier.catalogid | 16019 | en |
dc.subject.keyword | new_record | en |
dc.subject.keyword | Invalid URL | en |
dc.identifier.source | Critical Studies in Television: The International Journal of Television Studies | en |
dc.date.entered | 2020-01-16 | en |
Appears in Collections: | Reports |
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